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Saturday, February 12, 2005 the gates in NYC: musings on public art an' shit cross posted at dKos Today was the day that The Gates, Central Park, New York, 1979-2005, a massive public art piece, opened in Central Park here in New York City. What is "The Gates"? From the artists themselves, Christo and Jeanne-Claude: The 7500 Gates, 16 feet (4.87 meters) high with a width varying from 5' 6" to 18 feet (1,67 m to 5,48 meters) will follow the edges of the walkways and will be perpendicular to the selected 23 miles of footpaths in Central Park. Free hanging saffron colored fabric panels suspended from the horizontal top part of the gates will come down to approximately 7 feet ( 2,13 meters) above the ground. The gates will be spaced at 12 foot (3,65 meter) intervals, except where low branches extend above the walkways allowing the synthetic woven panels to wave horizontally towards the next gate and be seen from far away through the leafless branches of the trees. The temporary work of art The Gates is scheduled for February 2005, to remain for 16 days, then the 7,500 Gates shall be removed and the materials will be recycled.
It is a long, billowy saffron ribbon meandering through Central Park -- not a neat bow, but something that's very much a gift package to New York City. "The Gates," by Christo and his wife, Jeanne-Claude, was officially unveiled yesterday. Thousands of swaths of pleated nylon were unfurled to bob and billow in the breeze. In the winter light, the bright fabric seemed to warm the fields, flickering like a flame against the barren trees. Even at first blush, it was clear that "The Gates" is a work of pure joy, a vast populist spectacle of good will and simple eloquence, the first great public art event of the 21st century. It remains on view for just 16 days. Consider yourself forewarned. Time is fleeting.
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