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Saturday, February 12, 2005  

the gates in NYC: musings on public art an' shit

cross posted at dKos

Today was the day that The Gates, Central Park, New York, 1979-2005, a massive public art piece, opened in Central Park here in New York City. What is "The Gates"? From the artists themselves, Christo and Jeanne-Claude:


The 7500 Gates, 16 feet (4.87 meters) high with a width varying from 5' 6" to 18 feet (1,67 m to 5,48 meters) will follow the edges of the walkways and will be perpendicular to the selected 23 miles of footpaths in Central Park. Free hanging saffron colored fabric panels suspended from the horizontal top part of the gates will come down to approximately 7 feet ( 2,13 meters) above the ground. The gates will be spaced at 12 foot (3,65 meter) intervals, except where low branches extend above the walkways allowing the synthetic woven panels to wave horizontally towards the next gate and be seen from far away through the leafless branches of the trees. The temporary work of art The Gates is scheduled for February 2005, to remain for 16 days, then the 7,500 Gates shall be removed and the materials will be recycled.



Now, though I have never actually seen one of Christo's often controversial installations in person, I've often dismissed them as superfluous wanksterism. I'm sure you remember when he wrapped islands in pink fabric or when the artist wrapped the Reichstag like a baked potato. Maybe you recall The Umbrellas, an istallation that was rather odd in that it was out in the middle of nowhere. I, have always looked on these projects as mostly irrelevant at best and super-sized vanity pieces at worst. Perhaps the were.


The Gates has been the punchline of many jokes here for the past few weeks. What can I say? We're jaded New Yorkers. But this project, the first I've ever experienced in person, was something of a revelation to me. I have to admit, I went to the park today completely prepared to sneer down my nose at all this foolishness, yet I left the park with an ear-to-ear grin and a renewed appreciation for the value of using public space to tweak and challenge the perceptions and expectations of those who so often take such a space for granted. I'm not the only one who seems to appreciate what happened today in Central Park. From the Times:


In a Saffron Ribbon, a Billowy Gift to the City


It is a long, billowy saffron ribbon meandering through Central Park -- not a neat bow, but something that's very much a gift package to New York City. "The Gates," by Christo and his wife, Jeanne-Claude, was officially unveiled yesterday.

Thousands of swaths of pleated nylon were unfurled to bob and billow in the breeze. In the winter light, the bright fabric seemed to warm the fields, flickering like a flame against the barren trees. Even at first blush, it was clear that "The Gates" is a work of pure joy, a vast populist spectacle of good will and simple eloquence, the first great public art event of the 21st century. It remains on view for just 16 days. Consider yourself forewarned. Time is fleeting.


From the Times, that's pretty strong. I have to confess though that I'm not entirely convinced that they're wrong. Joy is a word I would use to describe the happenings in the park. Today was a rather overcast and windy day with a temp of about 40F and the park was absolutely filled with people. And what a mix of folks it was. I saw a a gentleman who looked like a depression era cartoon capitalist in a top hat and his wife strolling through the park (something I got the impression they don't often do) along with downtown art punks and pipefitters from queens who had been dragged out by their wives, Wall street types wandering under the saffron gates side by side with whole Puerto Rican families, curious folks from Jersey and tourists from around the globe, a melange of people young and old, rich and poor, all of them basking in this oddly wonderful experience. This does not happen nearly as often as it should, not even here in the Big Apple.







posted by downtown | 9:18 PM
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